Great Sphinx of Giza

Great Sphinx
The Great Sphinx at Giza, Egypt

The Great Sphinx of Giza is a large half-human, half-lion Sphinx statue in Egypt, on the Giza Plateau at the west bank of the Nile River, near modern-day Cairo (29.975299° N 31.137496° E). It is one of the largest single-stone statues on Earth, and is commonly believed to have been built by ancient Egyptians in the 3rd millennium BC.

What name ancient Egyptians called the statue is not completely known. The commonly used name “Sphinx” was given to it in Antiquity based on the legendary Greek creature with the body of a lion, the head of a woman and the wings of an eagle, though Egyptian sphinxes have the head of a man. The word “sphinx” comes from the Greek Sphinx, apparently from the verb sphingo, meaning “to strangle,” as the sphinx from Greek mythology strangled anyone incapable of answering her riddle. A few, however, have postulated it to be a corruption of the ancient Egyptian Shesep-ankh, a name applied to royal statues in the Fourth Dynasty, though it came to be more specifically associated with the Great Sphinx in the New Kingdom. In medieval texts, the names balhib and bilhaw referring to the Sphinx are attested, including by Egyptian historian Maqrizi, which suggest Coptic constructions, but the Egyptian Arabic name Abul-Hôl, which translates as “Father of Terror,” came to be more widely used.
Great Sphinx in 1925
The Great Sphinx on December 26, 1925, undergoing restoration.

Description

The Great Sphinx is a statue with the face of a man and the body of a lion. Carved out of the surrounding limestone bedrock, it is 57 metres (260 feet) long, 6 m (20 ft) wide, and has a height of 20 m (65 ft), making it the largest single-stone statue in the world. Blocks of stone weighing upwards of 200 tons were quarried in the construction phase to build the adjoining Sphinx Temple. It is located on the west bank of the Nile River within the confines of the Giza pyramid field. The Great Sphinx faces due east, with a small temple between its paws.

Restoration

After the Giza Necropolis was abandoned, the Sphinx became buried up to its shoulders in sand. The first attempt to dig it out dates back to 1400 BC, when the young Tutmosis IV formed an excavation party which, after much effort, managed to dig the front paws out. Tutmosis IV had a granite stela known as the Dream Stela placed between the paws. The stela reads, in part:
Great Sphinx
Notice the stela in the small
temple between its paws.

...the royal son, Thothmos, having been arrived, while walking at midday and seating himself under the shadow of this mighty god, was overcome by slumber and slept at the very moment when Ra is at the summit (of heaven). He found that the Majesty of this august god spoke to him with his own mouth, as a father speaks to his son, saying: Look upon me, contemplate me, O my son Thothmos; I am thy father, Harmakhis-Khopri-Ra-Tum; I bestow upon thee the sovereignty over my domain, the supremacy over the living ... Behold my actual condition that thou mayest protect all my perfect limbs. The sand of the desert whereon I am laid has covered me. Save me, causing all that is in my heart to be executed.

Ramesses II may have also performed restoration work on the Sphinx.

It was in 1817 that the first modern dig, supervised by Captain Caviglia, uncovered the Sphinx’s chest completely. The entirety of the Sphinx was finally dug out in 1925.
Great Sphinx in 1867
The Great Sphinx in 1867.
Note its unrestored original condition
and the man standing beneath its ear.

Missing Nose

The one-meter-wide nose on the face is missing. A legend that the nose was broken off by a cannon ball fired by Napoléon’s soldiers still survives, as do diverse variants indicting British troops, Mamluks, and others. However, sketches of the Sphinx by Frederick Lewis Norden made in 1737 and published in 1755 illustrate the Sphinx without a nose. The Egyptian historian al-Maqrizi, writing in the fifteenth century, attributes the vandalism to Muhammad Sa'im al-Dahr, a Sufi fanatic from the khanqah of Sa'id al-Su'ada. In 1378, upon finding the Egyptian peasants making offerings to the Sphinx in the hope of increasing their harvest, Sa'im al-Dahr was so outraged that he destroyed the nose. Al-Maqrizi describes the Sphinx as the “Nile talisman” on which the locals believed the cycle of inundation depended.

Curious and droll fictional explanations of the nose’s disappearance occasionally appear in modern entertainment set in vaguely appropriate times, such as in Asterix and Cleopatra.

In addition to the lost nose, a ceremonial pharaonic beard is thought to have been attached, although this may have been added in later periods after the original construction. Egyptologist Rainer Stadelmann has posited that the rounded divine beard may not have existed in the Old or Middle Kingdoms, only being conceived of in the New Kingdom to identify the Sphinx with the god Horemakhet. This may also relate to the later fashion of pharaohs, which was to wear a plaited beard of authority—a false beard (chin straps are actually visible on some statues), since Egyptian culture mandated that men be clean shaven. Pieces of this beard are today kept in the British Museum and the Egyptian Museum.

Mythology

The Great Sphinx was believed to stand as a guardian of the Giza Plateau, where it faces the rising sun. It was the focus of solar worship in the Old Kingdom, centered in the adjoining temples built around the time of its probable construction. Its animal form, the lion, has long been a symbol associated with the sun in ancient Near Eastern civilizations. Images depicting the Egyptian king in the form of a lion smiting his enemies appear as far back as the Early Dynastic Period of Egypt. During the New Kingdom, the Sphinx became more specifically associated with the god Hor-em-akhet (Greek Harmachis) or Horus at the Horizon, which represented the Pharaoh in his role as the Shesep ankh of Atum (living image of Atum). A temple was built to the northeast of the Sphinx by King Amenhotep II, nearly a thousand years after its construction, dedicated to the cult of Horemakhet.

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